“Carol Becker in Conversation with Theaster Gates. Theaster Gates, (London: Phaidon Press, 2015): 1-38.
“Social Responsibility and the Place of the Artist in Society.” Institutions and Imaginaries. Stephanie Smith, ed. (Chicago: School of the Art Institute of Chicago and University of Chicago Press, 2015).
“The Space Between What Is and What Wants to Be: The Abandoned Practice of Utopian Thinking.” MisPerformance: Essays in Shifting Perspective. Marin Blazevic and Lada Cale Feldman, eds. (Ljubljana, Slovenia: Maska, Institute for Publishing, Production, and Education, 2014).
“Beyond Innovation: Creating Conditions for Creativity,” in Developing Leaders: Executive Education in Practice 12.2013: 28-35.
“Micro-Utopias and Pedagogies for the Twenty-First Century.” Art as a Thinking Process. Mara Ambrozic and Angela Vettese, eds. (Berlin: Sternberg Press, 2013).
“Art and Agape.” More Love: Art, Politics, and Sharing Since the 1990s. Claire Schneider, ed. (Chapel Hill: University of North Carolina, 2013).
“The Second Johannesburg Biennale.” Trade Routes Revisited: A project marking the 15th anniversary of the second Johannesburg Biennale. Joost Bosland, ed. (Cape Town/Johannesburg: Stevenson Gallery, 2013).
“Preface.” Service Media: Is it Public Art or is it Art in Public Space? Stuart Keeler, ed. (Chicago: Green Lantern Press, 2013).
“Microutopias: Public Practice in the Public Sphere.” Living As Form: Socially Engaged Art from 1991-2011. ed., Nato Thompson. (New York: Creative Time Books/MIT Books, 2012).
“The Art of Crossing the Street.” Education: Documents of Contemporary Art. Felicity Allen, ed. (Cambridge, MA: Whitechapel Gallery and MIT Press, 2011).
“Amazwi Abesifazane: Voices of Women.” The Object of Labor: Art, Cloth, and Cultural Production. Joan Livingstone and John Ploof, eds. (Cambridge, MA: MIT Press, 2007): n.p.
“Gandhi’s Body and Further Representations of War and Peace.” Art Journal 65.4 (2007): 78–95.
"Signifiers Lost and Found." When Will the September Roses Bloom? Last Night Was Only a Comedy,Reading Companion, Part Two. Marin Blazevic, ed. (Zagreb, Croatia: Frakcija / Goat Island, 2005): n.p.
“The Nature of Pilgrimage,” Universal Experience: Art, Life, and the Tourist’s Eye (Chicago: Museum of Contemporary Art, 2005).
“Interdisciplinarity,” Symploké: A Journal for the Intermingling of Literary, Cultural and Theoretical Scholarship 12.1-2 (2005): 191-208.
“Amazwi Abesifazane: Voices of Women,” Art Journal 63. 4 (2004): 116-134.
“Intimate, Immediate, Spontaneous, Obvious: Educating the Unknowing Mind.” Buddha Mind in Contemporary Art. Jaacquelynn Baas and Mary Jane Jacob, eds. (Berkeley: University of California Press, 2004).
“Artist as Citizen.” The New Gate Keepers: Emerging Challenges to Free Expression in the Arts. Christopher Hawthorne and Andras Szanto, eds. (New York: National Arts Journalism Program, Columbia University, 2004).
“Making Things Visible.” Borne of Necessity. Julie Ault et al. (Greensboro, NC: Weatherspoon Art Museum, 2004).
“Pilgrimage to My Lai: Social Memory and the Making of Art,” Art Journal, 62.4 (2003): 50–67.
“The Non-Duality of Scarcity.” Spring Wind: Buddhist Cultural Form (Winter 2002): n.p.
“A Conversation with Okwui Enwezor.” Art Journal 61.2 (2002): 8–27.
“High Water.” Denver Quarterly 36.3/4: n.p. (Robert J. Richardson Award for Nonfiction Prose, 2002).
“Interview with Paul D. Miller, a.k.a. Dj Spooky—That Subliminal Kid.” Art Journal 61.1 (200): 82–91.
“Trial By Fire: A Tale of Gender and Leadership.” The Chronicle of Higher Education (January 25, 2002): B15.
“Representing the Unrepresented in the United States.” May ’45 Remembrance and the Future: On the Representation of the Non-Representable in the Arts. Heinz Wewer, ed. (Glasgow: Network for International Cooperation in the Arts, 2001): n.p.
“The Artist as Public Intellectual.” The Politics of Culture: Policy Perspectives for Individuals, Institutions and Communities. Gigi Bradford et al, eds. (New York: The New Press, 2000): 236–246.